December 3, 2022

Poison Girl Friend - Melting Moment

 

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Poison Girlfriend – Melting Moment 

Poison Girl Friend @ discogs.com 

 

 

1.  Hardly Ever Smile (Without You)

 

Romantic handwritten love letter by candlelight in rainy French province.  Only her desperate whispers can permeate the clouds, yearning for sun.

 

PHAT SYNTH parks it on F major 7 for a little, drums join, then guitar strumming.  Once guitar comes in the form starts, F major 7 for two bars then G major.  Good voicings for these chords on guitar:   x33210 for F major 7, and move the shape up for G:  x55430.

 

Then a bleeding heart string riff :’O which is E, higher octave E, A, higher octave A, E, D, G all downward.  Repeat is E, higher octave E, A, higher octave A, C, E.  Coolest riff I’ve ever heard using that many octave jumps!

 

               Verse:

 

||F maj7                  | F maj7                        |  G maj                                  |  G maj                                 |

| E7                          | E7                               |  F maj7                                    |   F maj7                             |

||F maj7                  | F maj7                        |  G maj                                  |  G maj                                 |

| E7                          | E7                               |  F maj7                                    |   F maj7                             ||

 

               Chorus:

 

||F maj7                  | G maj                         |  E7                                            | A-                                      |

|F maj7                  | G maj                           |  E7                                            | A-                                       ||

 

               Heavy on the reverb vocals!  Love confession right up in your ears <3

 

               Bridge with strings in quartal harmonies!  I can vaguely make out this approximation on guitar: x55577 (D13),  x33455 (Cmaj13 add 11),  x77788 (E-11 sort of),  x10.10.11.12.12. (G major 13 add 11).   

            Something like that!  Just stack the fourths and it comes together!  Later on when this section plays again, I think they descend the C major scale, but passing through B-7, Bb major 7, and possibly E-9.  It’s hard to make out.  Also the line is somewhat similar to twinkle twinkle little star??

 

Hoooow iiiii wonnnnnderrr whaaat youuu arreeeee

 

Fade out chill F major 7, remorseful vocals, heart ripping strings.

 


 

              

 

2.  Fact 2

 

Icy truth cracking from sky, French Goddess dials her telephone.  Engage in rave.  “C’est fini, mon amore”. “It’s over, my love”.

 

 

               Intro is A-9, A-9, E major 7, F# major, all sparsely.

               Little telephone riff is funky rhythm with F#, F#, D#, then hitting a high B.  Play around with it to get the exact notation!

 

               Main jam is G#-, G#-9, E major7, F# major.

 

               Main bass jam goes: G#, D#, C#, D#.  And repeats that motif but with E, then F# replacing the G#. 

 

               Telephone screeches and beeps in A#, the 9th of G#-.

              

  Later on bass changes to G#, B, A#, B.

 

 

3.  The Future is Now

 

               Intro:

|| A major7                       | A major7                           |C#7b9  (D dim7)                | C#7b9  (D dim7)       |        

|F# -                                      |F# -                                   |F dim 7                           |F dim  7                     |

|C major 7                            | C major7                          |F7                                   |F7                                |

|C major 7                            | C major7                          |F7                                   |F7                                |

|C major 7, drums come in, play for a while||

 

 

               Verse:

 

||A-                                          |G major                               |F major                           |E7                            |

|A-                                          |G major                               |F major                           |E7                            |

|C major                                |G major                              |A-                                     |E-                             |

|C major                                |G major                              |A-                                     |E-                             |

|One bar of drums               ||

              

At the C major chord things gets baroque!

 

               Chorus:

||C major                                |G major                              |A-                              |E maj                         |

|F maj                                      |G major                               |F maj                      |G major                     |

|C major                                |G major                                 |A-                           |E maj                      |

|F maj                                      |G major                               |F maj                         |G major               |

|A -9                                        ||  Then the form slinks back to intro.  Lots of 3rds used in the melody!

 

 

 

4.  Those Were The Days

              

             Intro/Chorus:

 

||C#-                     G#- |Amaj                         Emaj|         |C#-                  G#-     | Amaj                   Emaj|   

|C#-                     G#- |Amaj                         Emaj|         |C#-                  G#-     | Amaj                   Emaj  ||

 

               Synth riff in here goes C#, C# C# lower G#, B, C#.  Like a funk bass riff!

 

               Preverse parks on C#- for a little.

              

               Verse/Vocals without drums, lose harmonic rhythm!:

 

||C#-                                  |                                            |                                   |  A major                         |

|A major                            |                                            |   C#-                           |                                       |

|B major                            |                                            |  G#7                            |                                       ||

 

               The WOOOOOOOO WOOOOOOOO, is a chord made up of G# and C#, played with wailing blues energy.

 

               Verse with drums, more defined:

||C#-                                  |                                            | A major                     |                                        |

|B major                            |                                            |  G#7                            |                                       |

|A major                            |                                            | C#-                                |                                       |

|G# major                         |                                             |C#-                               |                                         ||

              

               Vibes of Legend of Legaia - Light of the Town

 

               After a few times through the form , she bumps the key up to D#-, shift up all chords a whole step and there you go!

 

 

5.  Quoi

 

               What, Why?  This is what happens when we play Chopsticks underneath jazz standard All of Me.

               Recurring piano riff is chord of E and F#, then E and G.  Cool to hear it underneath of the chord changes!

 

A section:

||:G major 7                   |                                      |A major                    |                                     |

|G major 7                   |                                      |A major                    |                                       |

|F#-7                            |                                      |G major 7                  |                                       |

1st |E-                             |A7                               :||

2nd |E-                              |A7                              |D major7                   |                                       ||

 

               B section:

||B-7                          |E-7                                 |A major                      |F#-                                 |

|B-7                          |E-7                                  |A major                      |B-                                    |

|E-                             |A major                          |F#-                            |B-                                      |

|A major                  |                                        |B-                             |E7                                     |

|A major                   |D major                         |                                |                                      ||

 

 

 

6.  Melting Moment

 

               Intro is a lot of go between F major7 and C major7, with the last bar being E-7 A7 to set up the vocals.

               Gorgeous piano riff, again with lots of octaves: G down to C, D C up to B.  Then G down to C, D down to G, high B.

 

               Vocals/Verse:

||: F major 7                         |                                            |  C major 7                    |                                  |

|F major 7                         |                                            |  C major 7                    |                                     |

|D-7           G7                    |  Cmajor   Fmajor7            |1st   B-7b5                      | E7                            :||

2nd|A major 7                     |                                           | F major 7                     |                                   |

|Bb major 7                          |                                          ||

 

               Bridge:

||D-7                                  | G maj         F maj            |E-                                 |A-                                |

|F major7                         |Fmaj 6?                              |E7                               |E7                                   |

|F major7                         |                                            |Bbmajor7                |                                         ||

 

               Luxurious, new age fade out.  “You will never know” reverberating for infinity.  Poison Girl Friend’s emo trance hop diary comes to a close.

 

November 1, 2022

Mkwaju Ensemble - Hot Air




A lesser known god defeated in battle secludes to the inside of a terracotta vase. Condensation berries the walls. Humid air hums. Dimly light teases towards insight, flickering hide and seek. Residual dew pools lazily at the bottom center. 


  

  In the beginning, there was E. Low, droning, E to contain the piece. 


  Next there’s a low marimba muffling between D and E, emphasizing the resolution to E, building the importance of that tonal center!


  Background feathered with bowl, or gong, or bell type sounds hovering. Mostly D’s and vanishing anonymous overtones. 


  Then a higher pitched marimba plays: D E F#, D E B.  And it is played over and over with various rhythms, as if with a delay pedal changing the beat division.


  The marimba becomes blurred with other tones. They play notes from B minor pentatonic!  Pretty cool since the tonal center for the whole song is E!  So what’s happening?  B minor pentatonic emphasizes notes B D E F# A. Spelled overtop the E we get 5th, b7th, root, 9th, 11th. COOL!  This creates an overall atmosphere of a suspended chord, perhaps sus2!  Since the 3rd is omitted completely (whether it be G or G#) we are left with a really tricky ambiguous chord. What a special vibe! 


  Then finally there is some flute type vibe whispering far beneath the mix. Long drawn out notes of B minor pentatonic , but adding C# sometimes!  Creating subtle tension, nice 8-). 


  And that is the story of the god held in the vase. 


October 3, 2022

Tomoko Aran - I'm In Love

Tomoko Aran – I'm In Love – animewondering 

Tomoko Aran - I'm In Love 

Aran @ discogs.com

 

Intro

               Holy Moly girl!  What is this intro?  The bass plays then A E C D, and the piano sounds like some DENSE A-7.  Cool that’s hearable.  Then the next chord the bass plays A F C# D#.  So IZIT C# major scale with A natural?  Furthermore the piano sounds like some Ab major 7 thingy.  IDK, the parts seem like a jumble that shouldn’t go together but they made it happen.  A13 followed by D and I think E in the bass lead into the chorus!

 

Chorus!

||Bbmajor 7           |                                       | Fmajor 9                            |D7sus4           D7                |

|Bbmajor 7             |                                       | Fmajor 9                            |D-7             Ab13                ||

              

               Her vocal line: F G A, A Bb C A F G A. 

               For the first lead into the verse they smoosh that D-7 Ab13 into the 7th bar after Fmajor 9.

 

Verse is easy peasy, Bbmajor 7 to Fmajor 9 just like the chorus!  The lead into the prechorus I believe is C13, B13. 


Prechorus does some Bbmajor 7, A-7, G-7, A-7.  Then Bbmajor 7, G-7, A7sus4.  Her vocals slams into the sus note (D.

              

Guitar solo section jams out on F-7, then Ab-7, C7sus, then A7sus. 

               Pretty straight forward and trendy!

 

               Some neato voicings:

                              Bbmajor 7:   xx3335

                              Fmajor 7   :   xx3555     or xx3553 if you want the F major 9

                              A7sus4      :   xx5757

 

               Intro brings us out!  Enjoy!